Premier album depuis 1982 (nouveau record?). Seul le bassiste est d'origine.
Legendary NWOBHM band, More, will release their third album, Destructor, on March 6. A video for the track, “Rocquiem”, can be found below.
A pre-sale for Destructor is underway here. Can’t wait for More? Get a limited, pre-release collector’s edition CD, personally signed by all band members, here.
The Destructor album is the final production by the late, legendary producer Chris Tsangarides (Judas Priest, King Diamond, Helloween, Yngwie Malmsteen et al). On the eve of his passing in January 2017, the last mix of Destructor was delivered from his own The Ecology Rooms facility. Passionate in his love for the band he had played with, written for, and toured alongside for decades, Tsangarides brought his unmistakable touch to the project. During the recording sessions, he applied his world-famous Vortex system to the ripping and mesmerising guitar work he played throughout the album, establishing the foundation for the More sound, with the rest of the outfit pulling their weight to deliver a fiery and seasoned band performance.
The album of ten titles is finally seeing the light of day after the final mixes were rediscovered by bassist Baz Nicholls, who downloaded them from studio equipment left behind after the facility closed, storing them on a USB drive. It was then decided to bring in a longtime collaborator — the legendary mastering engineer Maor Appelbaum in Los Angeles — who had previously worked on three other albums with Chris Tsangarides. Completed in 2025, the result is an album that balances power and finesse, brutality and nuance — a fitting tribute to the legacy of Tsangarides, while staking a claim in the modern metal scene for More.
More remains one of the few bands that truly embody the restless energy and resilience of the New Wave of British Heavy Metal. Founded in London in 1979 by guitarist Kenny Cox, the band rose quickly with their major-label debut Warhead (1981) on Atlantic Records, followed by tours alongside Iron Maiden during the Killers era and an appearance at Monsters of Rock. Their follow-up album, Blood & Thunder (1982), further cemented their reputation for blistering riffs and gritty hooks, earning inclusion on numerous lists of the greatest NWOBHM albums ever made. Now, the band return with their long-awaited third full-length album.
I'm the lost one chasing colors to the sun
Colors bleed but never fade
