Defenders Of The Faith, le forum Metal

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Bah quoi? Je préfère Gus G pour ma part

Brazilian guitarist Kiko Loureiro's (ANGRA) June 14, 2013 concert in Sao Paulo, Brazil, was professionally filmed and recorded for DVD release. The event featured three different musical styles and chapters in his solo career — metal, progressive and Brazilian fusion music. The shows also featured special guest performers, including Virgil Donati (PLANET X, ALLAN HOLDSWORTH) on drums.

A performance clip of the song "Gray Stone Gateway", taken from the "The White Balance" DVD, can be seen below.

Read more at http://www.blabbermouth.net/news/kiko-l ... LDVeMWU.99

Brazilian guitarist Kiko Loureiro, best known for his work with MEGADETH and ANGRA, has released a new solo single, "Out Of Nothing". You can now listen to the track below.

Kiko commented: "My new single 'Out Of Nothing' emerges not from a plan but from the mystery of creation itself. When I compose, I do not think, nor do I theorize — I let my hands glide over the fretboard, as if they already know the way, discovering paths, rejecting others, always searching for the feeling that satisfies, even for a moment.

"'Out Of Nothing' kicks off with a bold tritone interval — 'Diabolus In Musica,' that notorious interval known for its tension. It's a simple, direct statement that immediately shifts the key, setting up a dynamic riff alternating between A and D with their tritones. The intensity ramps up with 16th notes that launch the track into high gear.

"The verse is simple, almost baroque in its harmony. A Tonic and Dominant, Am to E7, arpeggiated with hybrid picking over the rhythm of Baião, a syncopation from the northeastern reaches of Brazil. The original music from this area also incorporates many arpeggiated themes from European heritage. And then, bringing contrast, the chromatic lines arrive to challenge this basic cadence, introducing the mediant progression—Am to Fm—
For the chorus, I take things up a notch, moving to the fifth degree and playing with the tension between E major and minor, As I didn't feel the chorus should be completely happy and uplifting.

"In the middle of the song, I let the existing elements repeat, develop, and transform, as one might do in a symphony or a sonata. The arpeggios return, expanding the baroque spirit, and then, unexpectedly, nylon strings echo from a distant past. Before long, the tritone chord progression returns, but now with more complex lines and a mix of techniques.

"But I will not leave you lost. The verse and chorus return, as familiar as old friends. For in this song, though I take you far, I am careful never to lose you entirely.

"Check it out, and let me know what you think!"