Sûrement pas, Jacques Bélanger vient de Sept-Îles sur la Côte-Nord et Snake vient d'Arvida (Jonquière) au Saguenay. Bélanger est un des noms les plus courants au Québec et il y en a dans toutes les régions.
Le G@SP a écrit :j'ai pas tout compris non plus mais l'important c'est que ce soit dans les fesses!
Proving Metal On Metal was no fortunate accident, Anvil responded with an album even more skilful, more dangerous, more explosive yet impressively executed despite its unsafe decisions. The title track was a technical triumph, Lips and crew skillfully showing what could be done at lesser velocities, while ‘Free As The Wind’ and ‘Never Deceive Me’ (featuring the killer vocals of guitarist Dave Allison) demonstrated a maturity of songwriting that lent the record extra layers of richness. The depth of such material as 'Shadow Zone', 'Future Wars' and the galloping 'Winged Assassins', proved the band were on the verge of greatness and more than simple speed metal. The pristine production of Chris Tsangarides (JUDAS PRIEST, THIN LIZZY, GARY MOORE) just added the lustre. And of course the dildo was put to get use, Lips teasing the "fast ladies" with such ditties as 'Butter-Bust Jerky' and 'Motormount'. A flawless album…
I'm the lost one chasing colors to the sun
Colors bleed but never fade
Nos radios qui diffusaient (diffusent encore?) du Florent Pagny, ce n'est pas un peu l'équivalent de se servir des conduits d'aération pour envoyer des gaz toxiques? Sans parler du fléau Brice de Niciens! Des gamins qui disaient constamment cassés, souvent sans réelle raison!
Le G@SP a écrit :j'ai pas tout compris non plus mais l'important c'est que ce soit dans les fesses!
Un gros classique en #5, que j'aurais peut-être vu n°1.
#5) RUSH – 2112 (Anthem – 1976)
After the commercial disaster that was Caress Of Steel and its subsequent tour of low attendance, RUSH was ready to either pack it in or get dropped. Deciding on departing in a blaze of glory, they proceeded to make a potentially even less commercial record, emerging with prog metal opus 2112, half a concept album, all flash and panache. Some of the band’s heaviest metals would emerge from the record, namely ‘The Temples Of Syrinx', ‘A Passage To Bangkok’ and the passion-filled 'Overture' that kicks off the treasured vision. The band’s legendary status was assured as the album hit #61 on the Billboard charts and it currently sits at an impressive triple platinum stateside.
The Audio-Visual Preservation Trust of Canada, a non-profit Canadian charitable organization dedicated to promoting the preservation of Canada's audio-visual heritage, has sponsored MasterWorks, which annually recognizes 12 culturally significant Canadian classics from the film, radio, TV and music industries. In 2006, 2112 was one of the albums chosen to be preserved.
I'm the lost one chasing colors to the sun
Colors bleed but never fade
Mon préféré de Rush restera certainement Hemisphere (je les aime presque tous en fait avec une préférence pour la première période, jusqu' au live Exit Stage Left donc), mais je voyais au moins 2112 dans les 6 premiers...
Hâte de découvrir la suite
Mr. Gig a écrit :Toutes ces tensions m'ont déjà satisfait au-delà de mes espérances, et en étant banni j'aurai exactement ce que je cherchais.
Ensuite, Violence & Force mieux classé que Heavy Metal Maniac :
#4) EXCITER - Violence & Force (Megaforce - 1984)
EXCITER took a second record to really anchor themselves and demonstrate dimension, Violence & Force featuring thicker, more brutal production than the scampered debut, as well as a slower metal classic in ‘Pounding Metal’, the band’s lethal chemistry on display, their pioneering thrash legacy established. And talk about an album cover creating the right creepy vibe… no one listening to this damn thing can get that image out of their mind, said trumped up scene of criminality portraying a predator with a painted black hand metaphysically dangling a knife. First off we are met with John Ricci's blasting feedback on 'Oblivion' which lunges straight into the title track,, drum-throat Dan Beehler on his game juggling two weapons with ease. The epic 'War Is Hell' and galloping 'Scream In The Night' also shine on this opus which opened many doors for the band and ultimately led to the finale of their speedy triumvirate, Long Live The Loud. Sadly Ricci and Beehler don't see eye-to-eye, so a classic line-up reunion ain't in the cards.
I'm the lost one chasing colors to the sun
Colors bleed but never fade
Viva, viva, viva the Blues / In Aztec land they will play like gods / Viva, viva, viva the blues / The sombreros will have eyes just for them / REMEMBER... =T=
son frere ??
quand même
