Cannibal Corpse - Torture

[Everflow]

Nouvel album prévu pour l'an prochain.

http://www.cravemetal.com/?p=5811

Alex: We'll be recording in September and October, so the album should come out sometime in early 2012. The material will be death metal done the CANNIBAL CORPSE way… no big surprises, just brutality!

[Pierre Hurleur]

Alex: The material will be death metal done the CANNIBAL CORPSE way… no big surprises, just brutality!

C'est marrant même eux ils ont l'air blasé de faire toujours la même chose

J'ai carrément décroché pour ma part, parce que je trouve que dans leurs derniers albums il n'y a jamais de grosse surprise, juste de la brutalité...

Mais le pire c'est que c'est vrai

[kingdavid of steel]

de toutes façons si ils change un truc ils vont se faire engueuler par les fans,alors...

[Gaëtan]

Oh !! On dit pas de mal de Canniboule, bordel !

[Everflow]

Alex Webster :

http://www.metalhammer.co.uk/top-posts/ ... the-faith/

“I can’t tell you the album title or the song titles or what the artwork’s gonna look like! The artwork will be a bit more like what we were known for in the past and a bit less subtle than the last two albums. They were fairly subtle by Cannibal Corpse standards. The lyrics on this record are pretty much what we’re known for and the title is not going to be a huge shocker for anyone either.

Music-wise, there has been a pretty interesting development on this record. I’ve been one of the main writers on the last few records and on ‘Evisceration Plague’ I wrote seven whole songs, lyrics and music, and another half of another song plus lyrics for ‘Scalding Hail’, which Rob and me did together. So I did a lot, but this time round I wanted Pat (O'Brien) and Rob (Barrett) to get involved a little more and I was afraid that by writing so much, they were so busy learning my stuff that they hadn’t been able to focus on writing their own stuff.

I had another recording project going on anyhow so I decided to lay off the writing a little. In the end, Pat wrote four songs and Rob wrote three, so there’s a much more even division of songwriting and a lot more variety on this record."

[Everflow]

La Torture commence le 13 mars :

http://soundcloud.com/metalbladerecords ... e-demented

Florida-based death metal veterans CANNIBAL CORPSE will release their twelfth studio album, "Torture", on March 13 via Metal Blade Records. The follow-up to 2009's "Evisceration Plague" offers up 12 tracks of maniacally precise, soul-searing death metal. "Torture" was again produced by HATE ETERNAL's Erik Rutan at his own Mana Recording Studio in St. Petersburg, Florida as well as Sonic Ranch in Tornillo, Texas, and features the maniacal cover art by longtime CANNIBAL CORPSE artist Vincent Locke.

While "Torture" marks the latest progression in the band's sound, it also witnesses a return to what drummer Paul Mazurkiewicz accurately terms "the frenzied attack of 'Butchered At Birth' (1991) or 'Tomb Of The Mutilated' (1992)," infusing the band's advanced musicianship with the raw savagery that haunted their earlier releases, and in the process conceiving the definitive CANNIBAL CORPSE record. Adds bassist Alex Webster on the outcome of the record: "We're extremely happy with how 'Torture' turned out. Erik Rutan did an amazing job with the production, and the songwriting and performances may be our strongest yet. We can't wait until our fans get to hear the whole thing!"

From the monstrous chugging of "Sarcophagic Frenzy" to the deeply sinister "Followed Home Then Killed" or the loping evil of "Scourge of Iron", every track hits with sledgehammer force, and each one boasts its own hideous character, the band refusing to repeat themselves at any point.

"While we make everything as heavy as possible there's a very strong emphasis placed on song writing in this band, trying to make every song individual, and I think you should be able to hit play at any point on a record and be able to tell one song from another almost instantly," states Webster. "We want all the songs to be brutal death metal, but we also want them to be instantly identifiable from one another, and that's something that is definitely true of the songs on 'Torture'."

Webster also believes that stability in the band's ranks greatly contributes to the record's strength, "Torture" being the third consecutive album featuring the current lineup of himself and co-founding member Mazurkiewicz, alongside guitarists Rob Barrett and Patrick O'Brien, and vocalist George "Corpsegrinder" Fisher. "The band is at its strongest right now, and I think we're at our very peak as far as playing ability and song writing maturity. As a result of that this is the album where we've been able to finally best get across what we wanted to do as players and as song writers." Equally, this is their third release to be helmed by producer Erik Rutan (of HATE ETERNAL fame), and while "Kill" and "Evisceration Plague" were recorded entirely at Rutan's Mana Recording Studio in St. Petersburg, Florida, this time out the sessions were split between Mana and Sonic Ranch in Tornillo, Texas. Having tracked 1999's Colin Richardson-produced "Bloodthirst", as well as 2002's "Gore Obsessed" and 2004's "The Wretched Spawn" (both produced by Neil Kernon) at Sonic Ranch, the band were keen to once again experience the isolation of working essentially in the middle of nowhere, this time with Rutan calling the shots.

"The studio is about forty miles outside of El Paso, and we made a point of not having a rental car so we were stuck there, that way all we could think about was the record," Webster states. "When we record in Florida usually the only guy in the studio with Erik is the one recording that day, and having us all together rather than scattered really helped us focus and totally immerse ourselves in the music, and I think that it's a far better record for it." This approach has resulted in a record that not only delivers a devastating punch but also eschews merely replicating the sound of their previous collaborations, and Mazurkiewicz asserts that their relationship with the producer is a tremendously beneficial one. "He's a death metal guitar player and a death metal singer, which makes him 'one of us'. On top of that he's a great guy, a workaholic, and a great motivator because he's not only an extremely talented peer but he's always nitpicking and doing what he's got to do to make everything better. He pushes us to make the best possible record and does what needs to be done to give it a distinctive sound of its own."

Though the band continue to dwell on dark and disturbing lyrical areas, they long ago transcended the early notoriety bestowed upon them (based solely upon their artwork and lyrics) through proving themselves one of the best — and hardest working — live bands in modern heavy music. As such, while they certainly stand defiant as part of the old guard in death metal, through their devotion to touring and consistently releasing bigger and better records they have retained both their relevance and bite while many of the bands that hacked their way out of the scene twenty years ago have fallen by the wayside. Equally, as the genre's profile has begun to once again grow in recent years the band do not concern themselves with thoughts of being dethroned by younger generations of bands following in their wake.

"We get inspired by seeing these other bands doing killer music, but we definitely don't feel threatened by it," Webster states. With a great many contemporary death metal bands perhaps overly concerned with being recognized as the 'fastest' or 'most technical', the art of the song itself seems often overlooked, and that is a trap CANNIBAL CORPSE have never fallen into. "I am very into ultra-fast music that shows off chops, but I think that it's important to develop ability as a musician not to show off that ability but rather to use it to write killer songs. Writing a genuinely memorable, killer song is very challenging, but the best albums are the ones with the best songs, period."

In 2012, CANNIBAL CORPSE have ensured that the twelve songs comprising "Torture" are the very best and therefore cohere to make the best possible album, though they are not content to rest upon their laurels and they are as hungry as ever to unleash their distinctive breed of aural horror upon heaving mosh pits. "I haven't been this excited about a release in a long time," enthuses Mazurkiewicz. "We worked so hard at it and we hope that the fans feel the same way we do. Being out there and getting to play these songs live will once again prove to people we're not going anywhere. We're not going through the motions, we're really trying to be the best band we can be, and we're just getting better."

"Torture" track listing:

01. Demented Aggression
02. Sarcophagic Frenzy
03. Scourge of Iron
04. Encased in Concrete
05. As Deep As the Knife Will Go
06. Intestinal Crank
07. Followed Home Then Killed
08. The Strangulation Chair
09. Caged...Contorted
10. Crucifier Avenged
11. Rabid
12. Torn Through

[Gaëtan]

http://soundcloud.com/metalbladerecords ... e-demented

Nickel !!!

[olivier64]

La Torture commence le 13 mars :

ça fait un paquet d'années que c'est devenu une torture.

[Gaëtan]

^ Nimp. Hér(m)étisme. No comment.

[Ad Metal Eternam]

Impec'

[GuldenDraak91]

Je n'ai pas été emballé plus que ça par les deux derniers...le groupe tourne un peu en boucle ces dernières années. En live c'est un peu la même, en roue libre...mais je continue à y croire. Je choperais donc très certainement ce nouvel album.

[Everflow]

Une autre nouvelle ballade à écouter :

http://www.revolvermag.com/news/canniba ... -iron.html

[Gaëtan]

Cet album est sorti dans l'indifférence générale. Et bien c'est un grand tort.

En tant que mec super objectif à propos de Canniboule, je n'aurai qu'un commentaire : un des albums de cette année à n'en pas douter. Ni plus ni moins.

Un véritable must pour les gens de goût.

[Mout Mout]

Je rejoins Gaëtan sur ce coup là. Personnellement je n'en attendais strictement rien du tout. Comme je mettais plus haut, les deux derniers m'avaient gonflé à un point tel que je ne les ai jamais écouté en entier....bah là je le trouve énorme cet album, le meilleur pour moi depuis Gore Obsessed.