Rotting Christ (metal extrême, Grèce)

[Everflow]

Dernier message de la page précédente :

[Achille]

Ah oui ce nouveau Rotting Christ. Album sympa mais sand plus pour le moment. Je dirai qu'il est dans le sillon de The Heretics : agréable et va sûtement bien poutrer sur les planches mais bien loin d'un truc à la Kata Dom.

[Everflow]

[demes]

Je ne suis guère emballé par ces titres... Je trouvais les extraits de "The Heretics" plus accrocheurs (et j'ai trouvé l'album vraiment sympa).

[BurningDarkness]

ça fait longtemps que ce groupe tourne en rond et nous ressort toujours le même album. Dommage...

[Set]

J'ai acheté ce dernier album de Rotting Christ suite à une recommandation d'un pote croisé au Hellfest qui me disait : "Tu verras, c'est un truc plutôt épique à la Bathory période viking, ça devrait te plaire !"

Eh bien effectivement moi ça me plait carrément ! Y'a des morceaux vraiment épiques (Pix Lax Dax, Yggdrasil) et je me demande même si je ne vais pas creuser leur discographie récente pour voir si ça me plait

[Metal Witchcraft]

Je suis d'accord avec BurningDarkness, les deux derniers albums m'ont laissé sur ma faim, et pourtant je suis très fan de ce groupe.
Je considère qu'ils ont atteint le sommet de leur créativité de leur période actuelle avec 'Κατά τον δαίμονα εαυτού' et 'Rituals'.

[Everflow]

Un album live à venir en 2025, pour leurs 35 ans :

[Everflow]

Dont voici la pochette.

[Achille]

Le cadre n'aurait pas pu être meilleur je pense.

[Everflow]

[Everflow]

[Everflow]

Ils savent s'amuser

[Everflow]

[Everflow]

Le groupe va sortir un réenregistrement complet de l'album Aealo.

Season Of Mist will issue Rotting Christ’s re-recorded version of their Aealo album on January 23. A lyric video for the title track can be found below.

Rotting Christ stand as pillars of Hellenic black metal: since 1987, the band has carved out a singular sound that merges extremity, ancient heritage, and ritualistic atmosphere. With Aealo (2010), they reached a decisive turning point in their evolution.

This newly re-recorded edition brings renewed fire and clarity to one of the most ambitious works in their catalogue. Completely revitalised with modern production and a far stronger mix, Aealo emerges more cinematic than ever: female lamentation choirs, martial percussion, folkloric melodies, and commanding riff-work collide in a sweeping vision of war, tragedy, and pagan spirituality. Guest appearances by Diamanda Galás and Alan A. Nemtheanga (Primordial) heighten the album’s mythic presence, while the enhanced dynamics reveal layers previously buried in the original recording. Richer, fiercer, and more imposing, this new Aealo amplifies every quality that made the album a modern cornerstone of Hellenic black metal.

In the dimly lit catacombs of extreme metal, one name stands as a monolith: Rotting Christ. Sakis Tholis and his brother Themis started this band together back in 1987. In the three decades since, these Greek titans have left their blackened imprint all over the metal world. They’ve released 13 studio albums and played more than 1,300 concerts around the globe. Underneath all this hard work, Rotting Christ have but one vision – an urge to not only push the boundaries of extreme metal, but to keep reinventing themselves along the way.

Rotting Christ’s evolution has unfolded across several distinct chapters. After starting out closer to the barely controlled chaos of grindcore, they went on to establish the iconic sound of Hellenic black metal. Their albums often embrace refined gothic soundscapes, only to plunge back into the depths of blasphemous fervour. Each chapter marked another, further exploration, and an unwavering commitment to push boundaries.

But the real turning point came in 2007, when Rotting Christ signed a pact with Season of Mist. They unleashed a series of albums for the French label that defied any and all expectations. From the piercing Theogonia and the symphonic grandeur of Aelo to the ritualistic intensity of Κατά Τον Δαίμονα Εαυτού, the cinematic experiences created by Rotting Christ became a spectacle of bombastic atmospheres, mesmerizing choirs, and neo-classical arrangements. The unexpected is their modus operandi, with the use of various languages (Latin, Arabic, Greek, English) as well as the extensive use of famous poetry woven into their music, like Edgar Allan Poe’s ‘The Raven’ on The Heretics.

In 2019, Rotting Christ’s epic journey continued with The Apocryphal Spell compilation, which offers fans an intimate glimpse into unreleased and rare material. This allowed them to gather strength, preparing for the release of their next, highly anticipated, 14th full-length studio album: Pro Xristou.

Pro Xristou (‘Before Christ’ in Greek), serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge. In this thematic odyssey, intricately woven through tracks such as ‘The Apostate’ and ‘Ygdrassil’, Rotting Christ delves into the legacies of historical figures such as Flavius Claudius Julianus and Nordic mythological kings, embodying the might of Pagan wisdom in the face of Christian adversity. The album encapsulates the essence of Rotting Christ’s signature style – melodic, yet harsh at times – reinventing themselves yet again, while remaining rooted in their 35-year legacy.